TO GILLIAN... ...

...ON HER 39TH BIRTHDAY

An open letter to actress, Gillian Anderson,
born August 9th, 1968.

 
 

As a rule, I’m not generous with my praise. I have never written anyone a “fan letter” before, nor would I do so now without just cause.


There are a number of fine actresses in theatre and cinema today, some finer than others, whose work I’ve enjoyed and/or admired. However, I must tell you, my dear Ms. Gillian, that you transcended “enjoyable” a long time ago. Watching your work over the past dozen or so years, beginning with your long stint on
X-Files, and extending to your roles in House of Mirth, The Mighty (What a piece of work!!) and, most recently, Bleak House, has been a rich and rewarding experience for this observer. More than that, it’s been a revelation. I say this, not as a star-struck fan, but as a veteran of the stage, who can experience and appreciate your artistry in ways and for reasons that may elude the casual viewer. What’s more, my wife, who also loves theatre and recognizes quality (she chose me), shares these sentiments.

The two of us never tire of savouring and discussing your work on the X-Files series (which we’ve taped virtually in it’s entirety). The depth and emotional range you brought to the role, the intelligence, the passion, the wit, the subtlety, the amazing restraint and sense of proportion you exercised in working the character’s stops and making her real: these were just some of the qualities that made, and continue to make, the role of Scully so compelling to watch and re-discover.

(And did I mention the humour? I’ve got to tell you: That priceless scene in Vegas, when Scully’s higher brain functions have been temporarily erased—the one and only time we ever see the sober, ultra-sensible agent become goofy and intoxicated—is a comic masterpiece! My wife and I go into spasms of delight every time we watch it. Your penchant for comedy may be one of your best kept secrets.)

What impresses us the most is watching Scully’s growth, and Gillian’s, over a nine-year period. She is a living textbook in long-term character development. Nothing about the character is ever forced, pretentious or overdone. It is/was a portrayal distinguished as much by what you held back as by what you unveiled. And that, in my book, is a mark of greatness. Anyone who might have thought you were wasted on that show, or who failed to appreciate the extraordinary artistry you brought to your role, missed “The Truth” altogether.

And yet, much as I value your work on the series, I do understand how important it is for you, as a serious actress, to put Scully behind you and move on to more challenging and/or diverse assignments.

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(Thankfully, you had begun doing that even before the series concluded.) Any viewer with eyes could see that you had more to offer than this one television role, albeit exceptional, could possibly offer you. I admire you for having the artistic chutzpah to expand your repertoire, rather than allowing yourself to be seduced by popularity, or by the security of another long-term commitment on American prime time.

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In every dramatic incarnation we’ve witnessed thus far, we’ve discovered yet another facet of your talent. The more you reveal of yourself (theatrically), the more you whet our appetites for more. My only complaint is that there aren’t more opportunities at this time to view your work. The last several film projects you’ve completed aren’t available yet, at least not here in the States. Not to mention the fact that some of your best work has probably been on the British stage, which (most regrettably) leaves this impoverished, stuck-at-home Yank out of the loop. Which finally brings me around to the question (in this case, it will be “questions”) I’d like to pose to you.
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First off: There are so many great classical and literary heroines I’d love to see you portray. Is it true that you’ve considered Ibsen's Hedda Gabler? What a splendid vehicle that would be for you! How do you feel about tackling the Bard? I think you would be smashing as Lady M—I mean, the “Scottish Queen.” Or Gertrude in Hamlet. Or Kate in Taming of the Shrew. How about Chekhov? I’m thinking: Masha in The Three Sisters—although I must say that you’re the only actress who, depending on the relative ages of the cast, has the range and versatility to play any of the sisters, and be convincing. And what say you of Tennessee Williams? Certainly, you must have thought of playing Maggie in Cat. Or Blanche in Streetcar.

The wish list is long. This was but an excerpt.

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Second: For the sake of those of us poor, theatre-loving blokes here in the Colonies (and elsewhere) who cannot come to you...might it be possible for you, in future, to bring your stage work here to us? By that, I mean, could you arrange (use your clout, work it into your contract) to have your next live engagement(s) taped for posterity, marketed—AND distributed in a recorded format (VHS or DVD) that is compatible with the playback technology in North America?

That said, you can imagine how privileged I felt get my hands on the complete (long awaited) DVD set of
Bleak House. What a treat! It was an absolutely sterling production, all around. As for Lady Dedlock...I’ve neither the space nor the eloquence to critique your contribution to the role, except to say that it exceeded all expectations.
..

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Whether critics and audiences, or your colleagues in the industry, ever acknowledge you as one of THE leading actresses of your day, only time will tell. You are still young, and there are so many rewarding places your talent has yet to take you. “Greatness” isn’t a term to be tossed around thoughtlessly. However, on the strength of what I, personally, have seen of you thus far, I do feel that there is greatness in you. And if any one experience could have driven that conviction home for me, it was watching Lady Dedlock.

My purpose in telling you this is not to flatter you, but to point out how critical it is what types of assignments you accept or decline from hereon, far more so than it would be for an artist without your credentials and unique capabilities. Yours is a career “less ordinary.” I prithee, choose your roles wisely.

In an age when so many second rate entertainers are remembered mainly for the wealth and popularity they grab for themselves, I say that you, Ms. Gillian, will be the more highly regarded for the richness your acting has brought to others.

It’s been a pleasure, and an adventure, making your acquaintance. Thank you, and
bravissima!

AND HAPPY BIRTHDAY! ......................

   
 

 

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